In wireless communications Wireless communication is the transfer of information over a distance without the use of enhanced electrical conductors or "wires". The distances involved may be short or long (thousands or millions of kilometers for radio communications). When the context is clear, the term is often shortened to "wireless". Wireless, fading is deviation of the attenuation In physics, attenuation is the gradual loss in intensity of any kind of flux through a medium. For instance, sunlight is attenuated by dark glasses, X-rays are attenuated by lead, and light and sound are attenuated while passing through seawater that a carrier-modulated telecommunication signal experiences over certain propagation media. The fading may vary with time, geographical position and/or radio frequency, and is often modelled as a random process In probability theory, a stochastic process, or sometimes random process, is the counterpart to a deterministic process . Instead of dealing with only one possible reality of how the process might evolve under time (as is the case, for example, for solutions of an ordinary differential equation), in a stochastic or random process there is some. A fading channel is a communication channel that experiences fading. In wireless systems, fading may either be due to multipath propagation In wireless telecommunications, multipath is the propagation phenomenon that results in radio signals reaching the receiving antenna by two or more paths. Causes of multipath include atmospheric ducting, ionospheric reflection and refraction, and reflection from water bodies and terrestrial objects such as mountains and buildings, referred to as multipath induced fading, or due to shadowing from obstacles affecting the wave propagation With respect to the direction of the oscillation relative to the propagation direction, we can distinguish between longitudinal wave and transverse waves, sometimes referred to as shadow fading.

Contents

Key concepts

The presence of reflectors in the environment surrounding a transmitter and receiver create multiple paths that a transmitted signal can traverse. As a result, the receiver sees the superposition of multiple copies of the transmitted signal, each traversing a different path. Each signal copy will experience differences in attenuation In physics, attenuation is the gradual loss in intensity of any kind of flux through a medium. For instance, sunlight is attenuated by dark glasses, X-rays are attenuated by lead, and light and sound are attenuated while passing through seawater, delay and phase shift The phase of an oscillation or wave is the fraction of a complete cycle corresponding to an offset in the displacement from a specified reference point at time t = 0. Phase is a frequency domain or Fourier transform domain concept, and as such, can be readily understood in terms of simple harmonic motion. The same concept applies to wave motion, while travelling from the source to the receiver. This can result in either constructive or destructive interference, amplifying or attenuating the signal power seen at the receiver. Strong destructive interference is frequently referred to as a deep fade and may result in temporary failure of communication due to a severe drop in the channel signal-to-noise ratio Signal-to-noise ratio is a measure used in science and engineering to quantify how much a signal has been corrupted by noise. It is defined as the ratio of signal power to the noise power corrupting the signal. A ratio higher than 1:1 indicates more signal than noise. While SNR is commonly quoted for electrical signals, it can be applied to any.

A common example of multipath fading is the experience of stopping at a traffic light and hearing an FM broadcast degenerate into static, while the signal is re-acquired if the vehicle moves only a fraction of a meter. The loss of the broadcast is caused by the vehicle stopping at a point where the signal experienced severe destructive interference. Cellular phones can also exhibit similar momentary fades.

Fading channel models are often used to model the effects of electromagnetic transmission of information over the air in cellular networks and broadcast communication. Fading channel models are also used in underwater acoustic communications to model the distortion caused by the water. Mathematically, fading is usually modeled as a time-varying random change in the amplitude Amplitude is the magnitude of change in the oscillating variable with each oscillation within an oscillating system. For example, sound waves in air are oscillations in atmospheric pressure and their amplitudes are proportional to the change in pressure during one oscillation. If a variable undergoes regular oscillations, and a graph of the system and phase The phase of an oscillation or wave is the fraction of a complete cycle corresponding to an offset in the displacement from a specified reference point at time t = 0. Phase is a frequency domain or Fourier transform domain concept, and as such, can be readily understood in terms of simple harmonic motion. The same concept applies to wave motion, of the transmitted signal.

Slow versus fast fading

The terms slow and fast fading refer to the rate at which the magnitude and phase change imposed by the channel on the signal changes. The coherence time is a measure of the minimum time required for the magnitude change of the channel to become uncorrelated from its previous value.

In a fast-fading channel, the transmitter may take advantage of the variations in the channel conditions using time diversity to help increase robustness of the communication to a temporary deep fade. Although a deep fade may temporarily erase some of the information transmitted, use of an error-correcting code In telecommunication and information theory, forward error correction is a system of error control for data transmission, whereby the sender adds redundant data to its messages, also known as an error-correction code. This allows the receiver to detect and correct errors (within some bound) without the need to ask the sender for additional data coupled with successfully transmitted bits during other time instances (interleaving) can allow for the erased bits to be recovered. In a slow-fading channel, it is not possible to use time diversity because the transmitter sees only a single realization of the channel within its delay constraint. A deep fade therefore lasts the entire duration of transmission and cannot be mitigated using coding.

The coherence time of the channel is related to a quantity known as the Doppler spread of the channel. When a user (or reflectors in its environment) is moving, the user's velocity causes a shift in the frequency of the signal transmitted along each signal path. This phenomenon is known as the Doppler shift The Doppler effect , named after Austrian physicist Christian Doppler who proposed it in 1842, is the change in frequency of a wave for an observer moving relative to the source of the wave. It is commonly heard when a vehicle sounding a siren or horn approaches, passes, and recedes from an observer. The received frequency is higher (compared to. Signals travelling along different paths can have different Doppler shifts, corresponding to different rates of change in phase. The difference in Doppler shifts between different signal components contributing to a single fading channel tap is known as the Doppler spread. Channels with a large Doppler spread have signal components that are each changing independently in phase over time. Since fading depends on whether signal components add constructively or destructively, such channels have a very short coherence time.

In general, coherence time is inversely related to Doppler spread, typically expressed as

where Tc is the coherence time, Ds is the Doppler spread, and k is a constant taking on values in the range of 0.25 to 0.5.

Flat versus frequency-selective fading

As the carrier frequency of a signal is varied, the magnitude of the change in amplitude will vary. The coherence bandwidth Coherence bandwidth is a statistical measurement of the range of frequencies over which the channel can be considered "flat", or in other words the approximate maximum bandwidth or frequency interval over which two frequencies of a signal are likely to experience comparable or correlated amplitude fading. If the multipath time delay measures the separation in frequency after which two signals will experience uncorrelated fading.

Since different frequency components of the signal are affected independently, it is highly unlikely that all parts of the signal will be simultaneously affected by a deep fade. Certain modulation schemes such as OFDM Orthogonal frequency-division multiplexing , essentially identical to coded OFDM (COFDM) and discrete multi-tone modulation (DMT), is a frequency-division multiplexing (FDM) scheme utilized as a digital multi-carrier modulation method. A large number of closely-spaced orthogonal sub-carriers are used to carry data. The data is divided into several and CDMA Code division multiple access is a channel access method utilized by various radio communication technologies. It should not be confused with the mobile phone standards called cdmaOne and CDMA2000 (which are often referred to as simply CDMA), which use CDMA as an underlying channel access method are well-suited to employing frequency diversity to provide robustness to fading. OFDM divides the wideband signal into many slowly modulated narrowband subcarriers, each exposed to flat fading rather than frequency selective fading. This can be combated by means of error coding, simple equalization Equalization, equalisation or EQ is the process of using passive or active electronic elements or digital algorithms for the purpose of altering the frequency response characteristics of a system or adaptive bit loading. Inter-symbol interference is avoided by introducing a guard interval between the symbols. CDMA uses the Rake receiver A rake receiver is a radio receiver designed to counter the effects of multipath fading. It does this by using several "sub-receivers" called fingers, that is, several correlators each assigned to a different multipath component. Each finger independently decodes a single multipath component; at a later stage the contribution of all to deal with each echo separately.

Frequency-selective fading channels are also dispersive, in that the signal energy associated with each symbol is spread out in time. This causes transmitted symbols that are adjacent in time to interfere with each other. Equalizers are often deployed in such channels to compensate for the effects of the intersymbol interference In telecommunication, intersymbol interference is a form of distortion of a signal in which one symbol interferes with subsequent symbols. This is an unwanted phenomenon as the previous symbols have similar effect as noise, thus making the communication less reliable. ISI is usually caused by multipath propagation or the inherent non-linear.

The echoes may also be exposed to Doppler shift The Doppler effect , named after Austrian physicist Christian Doppler who proposed it in 1842, is the change in frequency of a wave for an observer moving relative to the source of the wave. It is commonly heard when a vehicle sounding a siren or horn approaches, passes, and recedes from an observer. The received frequency is higher (compared to, resulting in a time varying channel model.

Fading models

Examples of fading models for the distribution of the attenuation are:

Mitigation

Fading can cause poor performance in a communication system because it can result in a loss of signal power without reducing the power of the noise. This signal loss can be over some or all of the signal bandwidth. Fading can also be a problem as it changes over time: communication systems are often designed to adapt to such impairments, but the fading can change faster than the adaptations can be made. In such cases, the probability of experiencing a fade (and associated bit errors as the signal-to-noise ratio Signal-to-noise ratio is a measure used in science and engineering to quantify how much a signal has been corrupted by noise. It is defined as the ratio of signal power to the noise power corrupting the signal. A ratio higher than 1:1 indicates more signal than noise. While SNR is commonly quoted for electrical signals, it can be applied to any drops) on the channel becomes the limiting factor in the link's performance.

The effects of fading can be combated by using diversity to transmit the signal over multiple channels that experience independent fading and coherently combining them at the receiver. The probability of experiencing a fade in this composite channel is then proportional to the probability that all the component channels simultaneously experience a fade, a much more unlikely event.

Diversity can be achieved in time, frequency, or space. Common techniques used to overcome signal fading include:

See also

Literature

External links

Analog and digital audio Digital audio uses pulse-code modulation and digital signals for sound reproduction. This includes analog-to-digital conversion , digital-to-analog conversion (DAC), storage, and transmission. In effect, the system commonly referred to as digital is in fact a discrete-time, discrete-level analog of a previous electrical analog. While modern broadcasting Broadcasting is the distribution of audio and/or video signals which transmit programs to an audience. Receiving parties may include the general public or a relatively large subset of the whole, such as children or young adults
Terrestrial
Radio Radio is the transmission of signals by modulation of electromagnetic waves with frequencies below those of visible light. Electromagnetic radiation travels by means of oscillating electromagnetic fields that pass through the air and the vacuum of space. Information is carried by systematically changing some property of the radiated waves, such as modulation In electronics, modulation is the process of varying one or more properties of a high frequency periodic waveform, called the carrier signal, with respect to a modulating signal. This is done in a similar fashion as a musician may modulate a tone from a musical instrument by varying its volume, timing and pitch. The three key parameters of a AM Amplitude modulation is a technique used in electronic communication, most commonly for transmitting information via a radio carrier wave. AM works by varying the strength of the transmitted signal in relation to the information being sent. For example, changes in the signal strength can be used to specify the sounds to be reproduced by a · FM In telecommunications, frequency modulation conveys information over a carrier wave by varying its frequency (contrast this with amplitude modulation, in which the amplitude of the carrier is varied while its frequency remains constant). In analog applications, the difference between the instantaneous and the base frequency of the carrier is · COFDM Orthogonal frequency-division multiplexing , essentially identical to coded OFDM (COFDM) and discrete multi-tone modulation (DMT), is a frequency-division multiplexing (FDM) scheme utilized as a digital multi-carrier modulation method. A large number of closely-spaced orthogonal sub-carriers are used to carry data. The data is divided into several
Frequency allocations LW In radio, longwave refers to parts of radio spectrum with relatively long wavelengths. The term is a historic one dating from the early 20th century, when the radio spectrum was considered to consist of long, medium and short wavelengths. Most modern radio systems and devices use parts of the spectrum which would then have been considered 'ultra- · MW Medium Wave is that part of the medium frequency (MF) radio band used mainly for AM broadcasting. For Europe the MW band allocated for broadcasting is from 531 kHz - 1611 kHz and in North America an extended MW broadcast band goes from 535 kHz - 1705 kHz (MF Non-directional navigational radio beacons for maritime and aircraft navigation occupy a band from 190 to 435 kHz, which overlaps from the LF into the bottom part of the MF band) · SW Shortwave radio refers to the HF portion of the radio spectrum: the frequency range 3,000–30,000 kHz (3–30 MHz). Shortwave radio received its name because its frequencies were higher (and wavelengths shorter) than the medium and low frequency bands then used for radio communications. (The "AM broadcast band", 520–1710 kHz, is a (HF High frequency radio frequencies are between 3 and 30 MHz. Also known as the decameter band or decameter wave as the wavelengths range from one to ten decameters (ten to one hundred metres). Frequencies immediately below HF are denoted Medium-frequency (MF), and the next higher frequencies are known as Very high frequency (VHF). Shortwave (2.310 -) · VHF Common uses for VHF are FM radio broadcast, television broadcast, land mobile stations , long range data communication with radio modems, Amateur Radio, marine communications, air traffic control communications and air navigation systems (e.g. VOR, DME & ILS) (low/mid Band II is the name of a radio frequency range within the very high frequency part of the electromagnetic spectrum/high) · L band The IEEE L band is a portion of the microwave band of the electromagnetic spectrum ranging roughly from 1 to 2 GHz. It is used by some communications satellites, and for some terrestrial Eureka 147 digital audio broadcasting (DAB). The amateur radio service also has an allocation between 1240 and 1300 MHz (23-centimeter band). The L band refers to
Digital systems DAB/DAB+ Digital Audio Broadcasting , is a digital radio technology for broadcasting radio stations, used in several countries, particularly in Europe. As of 2006, approximately 1,000 stations worldwide broadcast in the DAB format · DRM/DRM+ Digital Radio Mondiale is a set of digital audio broadcasting technologies designed to work over the bands currently used for AM broadcasting, particularly shortwave. DRM can fit more channels than AM, at higher quality, into a given amount of bandwidth, using various MPEG-4 codecs · HD Radio HD Radio is the trademark for iBiquity's in-band on-channel digital radio technology used by AM and FM radio stations to transmit audio and data via a digital signal in conjunction with their analog signals. It was selected by the United States Federal Communications Commission (FCC) in 2002 as a digital audio broadcasting method for the United · IBOC In-band on-channel is a method of transmitting digital radio and analog radio broadcast signals simultaneously on the same frequency · FMeXtra FMeXtra is an in-band on-channel digital radio broadcasting technology created by Digital Radio Express, now ViewCast Media. Unlike iBiquity's HD Radio system, it uses any FM radio station's existing equipment and transmitter plant to transmit digital audio data on subcarriers instead of sidebands. It also requires no royalties for its use, which · Digital Radio Oceane · CAM-D · ISDB-TSB Integrated Services Digital Broadcasting is a Japanese standard for digital television (DTV) and digital radio used by the country's radio and television stations. ISDB replaced the previously used MUSE "Hi-vision" analogue HDTV system. An alternative standard based on the original ISDB was developed by the Brazilian government and is
Satellite
Frequency allocations L band The IEEE L band is a portion of the microwave band of the electromagnetic spectrum ranging roughly from 1 to 2 GHz. It is used by some communications satellites, and for some terrestrial Eureka 147 digital audio broadcasting (DAB). The amateur radio service also has an allocation between 1240 and 1300 MHz (23-centimeter band). The L band refers to · S band The S band ranges from 2 to 4 GHz, crossing the conventional boundary between UHF and SHF at 3.0 GHz. It is part of the microwave band of the electromagnetic spectrum. The S band is used by weather radar, surface ship radar, and some communications satellites, especially those used by NASA to communicate with the Space Shuttle and the · Ku band · C band
Digital systems SDR · DVB-SH · DAB-S · DMB-S · ADR
Commercial radio providers 1worldspace · Sirius (Canada) · XM (Canada) (see also: Sirius XM)
Codecs
AAC · HE-AAC · MPEG-1 Layer II · AMR-WB+
Subcarrier signals
AMSS · DirectBand · PAD · RDS/RBDS · SCA/SCMO
Related topics
Technical (Audio): Audio processing · Audio data compression Technical (AM Stereo formats): Belar · Motorola's C-QUAM · Harris Corporation · Magnavox · Leonard Kahn/Hazeltine Technical (Emission): Digital radio · Error correction · Multipath propagation · SW Relay Station Cultural: History of radio · International broadcasting Comparison of radio systems

Categories: Radio frequency propagation fading

 

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How to prevent hair dye from fading?
Q. My original hair color is that very pale, almost white, Nordic blonde. I died my hair black with permenant dye and it faded until my hair turned this strange greenish gray color. This happened a few months ago, and now my hair is healthy enough to dye it again. I'm wondering if anyone has any tips on how to keep the hair dye from fading. Also, if anyone has any tips on keeping hair healthy after dying it that would be much appreciated.
Asked by Jenny - Fri Nov 3 18:58:13 2006 - - 9 Answers - 0 Comments

A. Don't wash your hair as often. I know its kinda gross but you can still take a shower every day, just don't wash it. Try to go 2-3 days before you wash it. Only shampoo it once when you're washing it, not twice. Buy shampoos and conditioners for color treated hair. Brushing and heat styling also make hair fade so try to cut down on these. You can also try semi-permanent treatments in between your permanent color treatments to keep the color fresh. Good luck!
Answered by :) - Fri Nov 3 19:58:48 2006

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